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Method

Hire the person who can make a stranger curious

The positioning you buy gets judged in private, months before anyone books a call, so hire for that test and nothing else.

Hire the person who can make a stranger curious enough to add you to a shortlist they will never tell you about. That is the whole brief. Freelancer, agency, fractional CMO: the label matters less than whether the writing survives being read alone, at speed, against three other vendors, months before anyone contacts you.

If you want the short answer: for a 20 to 200 person B2B company with one marketer, a specialist freelancer or a two-to-four person positioning studio beats a large agency and beats a fractional CMO for this specific job. A fractional CMO is a manager. You need a writer with judgement.

Hire for evidence that their words made someone who was not in the room take a second look, and test it before you sign by asking them to rewrite one page of yours.

The convention I am arguing with

Most agency-selection advice ranks vendors by stage, vertical and engagement length, then hands you a checklist of internal logic: are you pre-product-market-fit, do you need branding or positioning, how long is a typical engagement. All useful. None of it tied to how the buying decision actually happens.

The hiring criteria get built from the seller's side of the table, which is precisely the mistake the positioning work is supposed to fix.

What the work has to survive

Gartner's 2026 sales survey found 67% of B2B buyers prefer a rep-free buying experience (Gartner, 2026). The written positioning does the persuading. Nobody is there to rescue a weak line with a good discovery call.

6sense's 2025 Buyer Experience Report found the point of first contact has moved earlier in the journey, and that the vendor the buyer favoured before contact still wins most of the time (6sense, 2025). Earlier contact did not weaken the pre-contact impression. It made it heavier.

6sense also found the winning vendor is on the buyer's Day One shortlist the vast majority of the time, and that buyers who rank a shortlist before contacting sellers go on to buy from their first choice most of the time (6sense, 2025). I have written up what that shortlist looks like from the buyer's side.

The list is written before you know it exists. Positioning is the only thing you own that works while you are absent.

That is the sentence for your CFO: the buyer builds a shortlist before we ever speak to them, so the money goes to whoever can get us onto it in writing.

Why portfolios, frameworks and titles are the wrong filter

Three signals get used to pick a positioning hire. All three are easy to fake and none of them measures the thing you are buying.

  • A portfolio shows you finished pages. It does not show you whether those pages made anybody curious. Ask any positioning shop for their best work and you get a beautiful homepage for a company that was already growing. Attribution is impossible and everybody knows it.
  • Frameworks are worse, because they are the easiest thing to sell. Any competent consultant can run a workshop, fill a grid, and hand you a statement that reads like a category definition. Category definitions do not make strangers curious. Specificity does, which is the whole argument in how a position decides a shortlist.
  • Titles are the weakest signal of all. A fractional CMO with fifteen years of enterprise experience may have spent those years approving other people's copy. You are one marketer with a budget and a founder to convince. Buy the writing, not the org chart.

And it has to hold up under checking

Gartner's 2026 survey found 69% of B2B buyers turn to sales reps to validate AI-generated insights at key moments (Gartner, 2026). Which means the claim that got you onto the shortlist gets fact-checked later by a human.

Positioning that sounds good and cannot be verified loses the deal at the second meeting. It survives the first. Worse, because you paid for the meeting.

How I actually run the hire

Six steps. None of them require a procurement process.

  • Give them one page and 500 words. Pick your worst-performing product page. Ask for a rewrite, paid, before any contract. You are buying a sample of the actual work, not a deck about the work. Pay their rate for the hours it takes, and treat that fee as the cheapest part of the decision. Checkable outcome: you have rewritten copy in hand within a week.
  • Judge the rewrite on its first 40 words. If those 40 words do not say what is specific about the company, they failed. Forty words is the budget a stranger gives an unknown vendor during quiet research.
  • Ask them what claim they would delete. Good positioning people cut. If they add three value props and remove none, they are decorating. Checkable outcome: they name at least one existing claim you should stop making, and say why.
  • Ask where the proof lives. For every claim in the rewrite, ask what would make a sceptical buyer believe it: a number, a named customer, a screenshot, a documented method. If a claim has no proof behind it, it will die at the validation stage.
  • Check who does the writing. With agencies, ask which named person writes the sentences and how many hours they will personally spend. Get it in the statement of work. Checkable outcome: a name and an hours figure, in writing.
  • Agree the leading indicator before you start. Not pipeline. Something that moves in eight weeks: sales reps forwarding a specific page unprompted, buyers using your phrase in first calls, a rise in branded search from accounts you never contacted.

If you are about to hand somebody that page and you want a second read on it first, send it to me.

What this costs you, honestly

The specialist freelancer or small studio route has genuine downsides and I would rather you know them now. One person gets sick, takes another client, or disappears for two weeks. There is no account manager chasing them. You do the project management, and you already have a job.

A small studio also will not do the downstream execution. You get the positioning, the messaging hierarchy and maybe a homepage. The sales deck, the ads, the onboarding emails: that is you.

Budget your own time as part of the cost, because a positioning document nobody implements is the most expensive PDF you will ever buy. The implementation is where the writing does its work.

And the strongest positioning narrows you. It makes some buyers rule you out faster. That is the point, and it is still uncomfortable to explain to a founder who watches the total lead count drop while win rate climbs. Have the win-rate number ready before you make the change, not after.

Where this method fails

It fails if you have no customers yet. The position, the language and the proof all come from customers. Ten customer conversations you run yourself will beat any hire at that stage.

It fails when the actual problem is the product. Positioning cannot make a product that loses head-to-head comparisons win them. If your churn is high and your buyers say the same thing on the way out, you have a product brief, not a messaging brief.

It fails in genuinely undifferentiated markets where price and procurement decide everything. Some categories are like that. Specificity still helps you cost less to sell, and it will not create preference where none can exist.

And it fails if you hire well and then approve safely. The rewrite comes back sharp, the founder finds it too bold, and it gets sanded down in review until it matches the other four vendors on the list.

Safe is not the opposite of risky. Safe is the risk spread thin enough that nobody notices it happening, and it shows up as a shortlist you were never on.

Questions people ask

Should a B2B startup hire a freelancer, an agency, or a fractional CMO for positioning?

For a 20 to 200 person B2B company with one in-house marketer, a specialist freelancer or a small studio of two to four people is usually the right hire for positioning and messaging. A freelancer or small studio means the person you evaluated is the person writing the sentences, which is the thing you are actually buying.

A large agency adds account management, research capacity and the ability to run downstream execution, and it also adds the risk that a junior writer produces the words while the senior name appears on the invoice.

A fractional CMO is a different purchase entirely: that role sets strategy, hires vendors, manages budget and builds the marketing function, and it is worth the money when the problem is that nobody senior is steering. It is the wrong purchase when the problem is that the words on the site are vague. I have argued the agency versus fractional CMO choice at length.

Whichever route you take, ask for a paid rewrite of one existing page before signing anything, and insist the statement of work names the individual who will write.

What is the difference between brand positioning and messaging, and do I need both?

Positioning is the decision about what you are, who you are for, and what you are competing against in the buyer's mind. Messaging is the language that expresses that decision: the headline, the value propositions, the proof points, the words a salesperson says on a first call.

Positioning is a choice, messaging is an execution of that choice. You need both, and they are almost always bought together because messaging written without a positioning decision behind it produces a set of claims that could belong to any vendor in the category.

The practical test for whether your positioning is decided: ask three people in the company, separately, who the product is not for. If you get three different answers, the positioning work has not happened yet, regardless of how much messaging exists.

How much does B2B positioning and messaging work typically cost?

Costs vary widely by market, scope and who does the work, so treat any single figure with suspicion. What I can tell you is how to control the spend.

Start with a paid test: one existing page rewritten at their quoted rate, before any larger contract, so you are evaluating actual work over a proposal. Then scope the full engagement by deliverable and named hours: positioning statement, messaging hierarchy, homepage and one product page, sales narrative.

Ask which named person writes and how many of their hours are included, and get that in the statement of work. The largest hidden cost is your own time, because a positioning document that nobody implements across the site, the deck and the sales calls returns nothing at all.

When in a startup's life should positioning work happen, before or after product-market fit?

After you have customers, before you scale spend. Positioning is a decision about which buyers to pursue and which to let go, and you cannot make that decision honestly without evidence of who actually buys, who renews and who churns.

Before you have customers, the same money is better spent on ten customer conversations you run yourself, because the raw material for positioning is the language actual buyers use about their problem.

The point at which hiring makes sense is when you have enough customers to see a pattern, and you are about to increase paid spend, hire salespeople, or rebuild the site. Getting the positioning wrong before any of those three multiplies the cost of the mistake.

How do I know if a positioning hire actually worked?

Set the indicator before the work starts, and make it something that moves within eight weeks. A pipeline number will be argued about for two quarters. Four checkable signals:

  • Sales reps forward a specific page to prospects without being asked.
  • Buyers use your exact phrase back to you on first calls, unprompted.
  • Branded search rises from accounts you never contacted.
  • Win rate against a named competitor moves, even while total lead volume falls.

The last one matters most, because sharper positioning is supposed to make some buyers rule you out faster. Record your current win rate against your top two competitors before the work begins, otherwise you will have no baseline to argue from when the lead count drops.

Think this way too?

Then we are probably alike. Tell me what you are working on.